The Born Loser, 2014-09-23.
"I'm an eternal optimist. A glass-half-full type of person!" says Brutus's co-worker. "How about you, Thorny— are you a glass-half-full or half-empty guy?"
"I'm the born loser, so I'm a glass-completely-empty type of guy." says Brutus.
Is it just me or is it really weird how this comic has its protagonist just come right out and acknowledge his role in it? And this isn't an isolated thing either, he does it all the time. He is "the born loser" and he knows it. Not merely a born loser, the. And it isn't even necessary to the joke, you can remove the words "I'm the born loser, so" and it works just as well. It's more obviously fourth-wall breaking than anything Ted Forth has ever done.
Beetle Bailey, 2014-09-23.
"Can you take this truck to the dump, Zero?" asks Sgt. Snorkel.
"Okay, Sarge" says Pvt. Zero.
Some time later Zero returns with the ute still loaded full of garbage.
"I'm back from the dump, Sarge" he says. "Where do you want me to take it now?"
With that instruction I'd expect Zero to return on a bus, having left the ute behind.
Curtis, 2014-09-23.
"Did any of you children read during the summer vacation ?" asks Mrs Nelson.
"I did, Mrs. Nelson !" says Curtis. "'Vampire Feast,' 'The Thing From the Deep' and 'Mutant Zombie Landlord'!"
Mrs Nelson glares at him.
"Hey, they had a front cover, back cover and pages in between ! Technically that's a book !!"
I'm with Curtis on this. He's constantly getting flack for reading comics, despite the fact that he's apparently the only student in his class who reads any kind of book at all. It's pretty shitty to criticise him for it.
One Big Happy, 2014-09-24.
"Library lady, these tomatoes are for you. My grandpa grew them!" says Ruthie.
"Why, thank you, Ruthie!" says the library lady. "They're beautiful! Thank your grandpa for me, will you?
"Yes'm."
The library lady takes the tomatoes and begins to leave. James follows her.
"No, James, it's not going to happen."
"I sure enjoy seein' a hefty gal eat!" says James.
The library lady grimaces.
"I know, I know."
Well, that sure is creepy.
A picture is worth a thousand words, but a comic strip is no ordinary picture! It's worth a lot less.
Showing posts with label One Big Happy. Show all posts
Showing posts with label One Big Happy. Show all posts
2014-09-26
2014-03-14
Philosophical Friday: Consistently Good Comics
I thought that today instead of talking about what's wrong with a particular comic I'd just point out a few that there's nothing wrong with, some comics that are pretty much good every day.
The Amazing Spider-Man
Stan Lee is a mad genius and his version of Spider-Man is lazy, selfish and incompetent and fights some of the most absurd villains, including a guy named Bigelow who did time and therefore started calling himself Big Time and became obsessed with clocks. Or a bad actor who decided to dress as a clown and commit crimes, and had a car that looked like a duck. It's ridiculous and dumb, but it's about a guy who got super-powers by being bitten by a radioactive spider and decided to dress in a weird costume and become a vigilante, so what do you expect?
The Creeps
A strong contender for "best comic", The Creeps uses clever wordplay and unexpected twists to great effect and also sometimes plays with the format to add to the joke.
Cul de Sac
One of the best comics about children, now unfortunately in reruns due to the author's poor health.
Ham Shears
Ham Shears is a pig who moved to the city to find his fortune. He works at Boss's Butcher Shop and lives with Jill and Ingrid. Everyone in this comic is just a little bit odd. Boss thinks that every woman is named Jill. Jill is frighteningly intense about picking apples. Ham Shears is delightfully earnest.
Heathcliff
The other comic about a fat orange cat. The one that's actually good. Not that Garfield doesn't have its points, but Heathcliff is clearly the superior product. Unlike Garfield, Heathcliff goes in more for surreal humour and the unexpected.
Heavenly Nostrils
A comic about a girl and a unicorn. A well-executed take on the child and talking pet formula.
One Big Happy
A comic about kids. Not an original premise but done well and consistently funny.
Pros & Cons
Witty banter between police, lawyers and various others. The art style is a little off-putting at first but it does grow on you. There's also a graphic novel.
Reply All
I think everyone has the same reaction when they see Reply All — this comic looks like garbage. And it does. Donna Lewis really, really can't draw and doesn't seem to even be making any attempt to improve. But the writing's pretty good. If she got someone else to draw it then there wouldn't even be any question about it, it would be a good comic.
Sally Forth
This comic about a pretty ordinary middle-class American family was exactly as unremarkable as it sounds until a few years ago when the writing was taken over by Francesco Marciuliano and the family started going slowly insane. Ted likes to imagine his life is a TV show and may or may not have once been an assassin and one of Hilary's friends can hear other people's thoughts, but the great thing about it is how the crazy stuff is kind of just in the background of this relatively ordinary story.
Wee Pals
Morrie Turner created this comic in 1965 and continued to produce it until his death earlier this year, and it stayed funny and relevant the entire time. Amazingly, Turner worked so far ahead that we're still seeing new content even now, and hopefully it'll go into reruns when those run out.
The Amazing Spider-Man
Stan Lee is a mad genius and his version of Spider-Man is lazy, selfish and incompetent and fights some of the most absurd villains, including a guy named Bigelow who did time and therefore started calling himself Big Time and became obsessed with clocks. Or a bad actor who decided to dress as a clown and commit crimes, and had a car that looked like a duck. It's ridiculous and dumb, but it's about a guy who got super-powers by being bitten by a radioactive spider and decided to dress in a weird costume and become a vigilante, so what do you expect?
The Creeps
A strong contender for "best comic", The Creeps uses clever wordplay and unexpected twists to great effect and also sometimes plays with the format to add to the joke.
Cul de Sac
One of the best comics about children, now unfortunately in reruns due to the author's poor health.
Ham Shears
Ham Shears is a pig who moved to the city to find his fortune. He works at Boss's Butcher Shop and lives with Jill and Ingrid. Everyone in this comic is just a little bit odd. Boss thinks that every woman is named Jill. Jill is frighteningly intense about picking apples. Ham Shears is delightfully earnest.
Heathcliff
The other comic about a fat orange cat. The one that's actually good. Not that Garfield doesn't have its points, but Heathcliff is clearly the superior product. Unlike Garfield, Heathcliff goes in more for surreal humour and the unexpected.
Heavenly Nostrils
A comic about a girl and a unicorn. A well-executed take on the child and talking pet formula.
One Big Happy
A comic about kids. Not an original premise but done well and consistently funny.
Pros & Cons
Witty banter between police, lawyers and various others. The art style is a little off-putting at first but it does grow on you. There's also a graphic novel.
Reply All
I think everyone has the same reaction when they see Reply All — this comic looks like garbage. And it does. Donna Lewis really, really can't draw and doesn't seem to even be making any attempt to improve. But the writing's pretty good. If she got someone else to draw it then there wouldn't even be any question about it, it would be a good comic.
Sally Forth
This comic about a pretty ordinary middle-class American family was exactly as unremarkable as it sounds until a few years ago when the writing was taken over by Francesco Marciuliano and the family started going slowly insane. Ted likes to imagine his life is a TV show and may or may not have once been an assassin and one of Hilary's friends can hear other people's thoughts, but the great thing about it is how the crazy stuff is kind of just in the background of this relatively ordinary story.
Wee Pals
Morrie Turner created this comic in 1965 and continued to produce it until his death earlier this year, and it stayed funny and relevant the entire time. Amazingly, Turner worked so far ahead that we're still seeing new content even now, and hopefully it'll go into reruns when those run out.
2012-07-17
One Big Happy
"Ruthie, did you call your grandma?" asks Ellen.
"I couldn't mom." says Ruthie. "Willie's on the phone."
Ellen stops what she's doing and stares blankly ahead.
In another part of the house, Willie (a dog) sits on a telephone handset and watches television.
Comic
"I couldn't mom." says Ruthie. "Willie's on the phone."
Ellen stops what she's doing and stares blankly ahead.
In another part of the house, Willie (a dog) sits on a telephone handset and watches television.
Comic
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